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About The Author: Manjur Ahmed
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I would love to start a discussion in the comments. It would be alot of fun if everyone would reply to this comment based on their interpretation of the poem. Frost wrote the poem as a joke for a friend, the poet Edward Thomas. When out walking together, Thomas was usually indecisive about which road to take, and often lamented in hindsight that they should have gone the other way. This from The Poetry Foundation website: The poem masquerades as a meditation about choice, but the critic William Pritchard suggests that the speaker is admitting that “choosing one rather than the other was a matter of impulse, impossible to speak about any more clearly than to say that the road taken had ‘perhaps the better claim.” In many ways, the poem becomes about how—through retroactive narrative—the poet turns something as irrational as an “impulse” into a triumphant, intentional decision. Decisions are nobler than whims, and this reframing is comforting, too, for the way it suggests that a life unfolds through conscious design. However, as the poem reveals, that design arises out of constructed narratives, not dramatic actions. When Frost sent the poem to Thomas, Thomas initially failed to realize that the poem was (mockingly) about him. Instead, he believed it was a serious reflection on the need for decisive action. (He would not be alone in that assessment.) Frost was disappointed that the joke fell flat and wrote back, insisting that the sigh at the end of the poem was “a mock sigh, hypo-critical for the fun of the thing.” The joke rankled; Thomas was hurt by this characterization of what he saw as a personal weakness—his indecisiveness, which partly sprang from his paralyzing depression. Thomas presciently warned Frost that most readers would not understand the poems playfulness and wrote, “I doubt if you can get anybody to see the fun of the thing without showing them & advising them which kind of laugh they are to turn on.” Edward Thomas was right, and the critic David Orr has hailed “The Road Not Taken” as a poem that “at least in its first few decades … came close to being reader-proof.” The last stanza—stripped of the poems earlier insistence that the roads are “really about the same”—has been hailed as a clarion call to venture off the beaten path and blaze a new trail. Frosts lines have often been read as a celebration of individualism, an illustration of Emersons claim that “Whoso would be a man, must be a nonconformist.” In the film Dead Poets Society, the iconoclastic teacher Mr. Keating, played by Robin Williams, takes his students into a courtyard, instructs them to stroll around, and then observes how their individual gaits quickly subside into conformity. He passionately tells them, “Robert Frost said, ‘Two roads diverged in a wood, and I—/ I took the one less traveled by / And that has made all the difference.” Far from being an ode to the glories of individualism, however, the last stanza is a riddling, ironic meditation on how we turn bewilderment and impulsiveness into a narrative: I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Again, the language is stylized, archaic, and reminiscent of fairytales. Frost claims he will be telling the story “somewhere ages and ages hence,” a reversal of the fairytale beginning, “Long, long ago in a faraway land.” Through its progression, the poem suggests that our power to shape events comes not from choices made in the material world—in an autumn stand of birches—but from the minds ability to mold the past into a particular story. The roads were about the same, and the speakers decision was based on a vague impulse. The act of assigning meanings—more than the inherent significance of events themselves—defines our experience of the past. The fairytale-like language also accentuates the way the poem slowly launches into a conjuring trick. Frost liked to warn listeners (and readers) that “you have to be careful of that one; its a tricky poem—very tricky.” Part of its trick is that it enacts what it has previously claimed is impossible: the traveling of two roads at once. The poems ending refuses to convey a particular emotional meaning; it playfully evades categorizations even as it describes divisions created by choices. Its triumph is that it does travel two emotional trajectories while cohering as a single statement. We cannot tell, ultimately, whether the speaker is pleased with his choice; a sigh can be either contented or regretful. The speaker claims that his decision has made “all the difference,” but the word difference itself conveys no sense of whether this choice made the speakers life better or worse—he could, perhaps, be envisioning an alternate version of life, one full of the imagined pleasures the other road would have offered. Indeed, when Frost and Thomas went walking together, Thomas would often choose one fork in the road because he was convinced it would lead them to something, perhaps a patch of rare wild flowers or a particular birds nest. When the road failed to yield the hoped-for rarities, Thomas would rue his choice, convinced the other road would have doubtless led to something better. In a letter, Frost goaded Thomas, saying, “No matter which road you take, youll always sigh, and wish youd taken another.” And, indeed, the title of the poem hovers over it like a ghost: “The Road Not Taken.” According to the title, this poem is about absence. It is about what the poem never mentions: the choice the speaker did not make, which still haunts him. Again, however, Frost refuses to allow the title to have a single meaning: “The Road Not Taken” also evokes “the road less traveled,” the road most people did not take. The poem moves from a fantasy of staving off choice to a statement of division. The reader cannot discern whether the “difference” evoked in the last line is glorious or disappointing—or neither. What is clear is that the act of choosing creates division and thwarts dreams of simultaneity. All the “difference” that has arisen—the loss of unity—has come from the simple fact that choice is always and inescapably inevitable. The repetition of I—as well as heightening the rhetorical drama—mirrors this idea of division. The self has been split. At the same time, the repetition of I recalls the idea of traveling two roads as one traveler: one I stands on each side of the line break—on each side of the verses turn—just as earlier when the speaker imagined being a single traveler walking down both roads at once. The poem also wryly undercuts the idea that division is inevitable: the language of the last stanza evokes two simultaneous emotional stances. The poem suggests that—through language and artifice—we can “trick” our way out of abiding by the law that all decisions create differences. We can be one linguistic traveler traveling two roads at once, experiencing two meanings. In a letter, Frost claimed, “My poems … are all set to trip the reader head foremost into the boundless.” The meaning of this poem has certainly tripped up many readers—from Edward Thomas to the iconic English teacher in Dead Poets Society. But the poem does not trip readers simply to tease them—instead it aims to launch them into the boundless, to launch them past spurious distinctions and into a vision of unbounded simultaneity.

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Amazing cinematography! I dont think it was too long. I believe that the purpose of the video was to create something like National Geographic mixed with Planet Earth, but without all the animals and drama. I enjoyed each second; it made me relax and get immersed into a reality that I never experienced before. I want more.

'I, I took the one less travelled by. Positive, all the way for me. Wonderful poem. My teacher used your video to make the students understand this poem Thank you😊.

 

 

 

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Run this town meaning. Run this town clean. Run this town jay-z lyrics. Her best show... her voice is just on point. Run this town movie. Run this town derrick rose. No ceilings. Run this town mp3 download. Show you how. Run this town jay z lyrics. I love U, RiRi! Good person. I like U... kisses. When I was 16 my parents died in a car accident and I was sent to go live with my Grandparents. I was from the city my grandparents lived about 2 hours away in a town of 5000 people. The whole town was very church oriented and very closed minded. My Brother wanted to take care of me and have me live with him but my grandparents said no and thought it best if I finish school out there. My brother was a drug dealer, he stopped going to school when he was 16 and moved out and sold drugs full time. He smokes more pot than any guy I have ever met. At the time I moved he sold E, Coke and Weed. He new tons of people and could get anything whenever I would ask him. He had a nice apartment and a 300zxTT all from selling drugs, plus he paid all his bills and lived well. I never liked white drugs I always thought the whole idea was kinda stupid, I never tried them and never wanted to I stuck to pot, acid, E and getting drunk. I started going to high school there and I hated it, everybody was way into big trucks, chewing tobbaco and going to rodeos. Needless to say a stoner kid from the city driving a Ford Probe with big rims was not very accepted. I was not sad about my parents really, I smoked alot of pot and did E alot to ease the pain. I just kicked it for a few weeks and didn't talk to anyone, then I met Kendal, a girl that changed my life. Kendel was short and was beautiful, she had the hotest body, dark hair to her back and sexy blue eyes. But best off all she smoked weed and she had friends. She introduced me to them and we started to hang out. They Smoked really bad pot, it was brown and it took about 4 bowls for me to kinda get stoned, and they all got it from the same guy. One night I took 3 pills and went for a walk, I thought about my parents, how I missed my old friends, and Kendal, I came up with two conclusions, one, everything happens for a reason, so there is no use being sad over them and second, I needed to start selling Drugs to these people. I called my brother and got hooked up with a Quarter Pound of chronic, I made 2. 5 gram bags and sold them for 45 dollars a piece. At first I only sold about a bag a day to my friends I had made. Then the weekend came and my cell phone would not stop ringing. I sold the QP by Saturday night. I went to school and people I didn't know were coming up to me and asking me for bags. I skipped school the next day and went to see my brother I bought a half pound and went back. I sold the pot fast and since I was pushing chump bags and got hooked up cheap I made a killing. In about 2 months I had the whole school smoking bud. I would buy E about once every two weeks and sell it to. I would sell it for 30 bucks a hit and kids loved that too. At school I was the man and me and Kendal started going out. I sold drugs all though the year and smoked alot of pot but I did okay in school. I was making so much money, I would never know how much I had, I would put on pants sometimes and find a couple hundred bucks and I wouldn't know were it came from. I would skip school and go to nice resturants with Kendal. I would go shopping all the time, I would buy tons of CD's, clothes, sterio stuff and whatever else. I sold my probe and bought a Eclipse GSX and put alot of money into it making it fast. Everything was cool until people in town started doing meth, I didn't care and I was still making tons of cash but my friends kinda started becoming tweakers. I told my brother and he said I should start selling that too. I accepted and when I went to meet him he told me how to measure it what to sell it for and how much money I should have when I am done. He also gave me some coke to sell. Once again I was the man with the good drugs. I didn't like selling tweak, people would call me at all hours of the day and always want fronts. And to be honest my best customers for it were scumbags. The coke didn't really sell that well at all, I had about 2 8balls and I went to a party with Kendal and I just started giving people lines. I would give them a line and give them a little bit, when I left I had no coke and by the next day a bunch of people wanted it. I said the hell with meth and started just selling coke and weed all the time. Now I must say Coke is the coolest drug around to sell. I would get expensive jewelry from girls and sterios from people. I got a pool table from a guy for a gram, I got a piano from a woman for 3 grams and one time 2 girls let me and a friend watch them have sex with each other for a couple lines. Kendal started doing coke alot I would just smoke weed and drink. E started to loose it magic and the happy blissful feelings just started to feel plastic. I would give Kendal coke most of the time and I notice she slowly got weird. It was summer and she would go to work get off, come find me and not leave my site until she would have to go home or she would stay at my house and sleep with me. When I would ask her about it I she would say she loved me and didn't want to miss a moment with me. After that I kinda got scared and told her she was cut off. She cried alot and said the reason I was doing this to her is cause I didn't love her. We didn't talk for about 6 months and I just sold drugs and hung out with my only friend who wasn't a tweeker. One day he said he heard that Kendal was shooting coke. I didn't believe it and about 2 weeks later we went back to school for our senior year. I kinda didn't sell as much coke because my grandma kept asking why people were coming to the pool house (were I slept) at 4 in the morning and leaving in 5 min. But I would still sell it to some people and I always had some for my friends, I still sold pot like mad, but I made my bags bigger and people were happier. On the first day of my senior year I saw Kendal and she looked bad, her eyes were all sunken in and she looked like she hadn't slept in days. She came and gave me a hug and when I put my arms around her, I could feel all here bones in her back, she was wasting away. If that was enough to make the day real bad at 2nd period I got called to the office and was told the principal wanted to talk to me. I went in his office and he told me to sit down and not talk. He told me he new what I had been through and what my story was. Then he said 'and that dosen't give you an exscuse to do what I do, and if he ever cought me selling drugs to his students at school he would make sure I payed. ' He also said that he didn't care what I did out of his school and maybe it would be best if I finished school at the Community college and that I could still walk with my class. I left school that day and never went back, I got all my credits in about 3 months and I didn't even want to walk with my class, for the rest of the school year I just sold pot. In May my brother called me and said he had a good deal on some acid, and that for 150 bucks I could make some quick money. I bought 3 sheets of acid for 150 bucks and sold them all in one night. That is 300 hits of acid and I sold them for 4 dollars a piece, that is 1200 dollars I made in one night. Throught the year Kendal just became a tweaker I would see her about once a week and she would come and buy a 20 sack from me. She just looked worse and worse. On June 13th I woke up on my couch with no clue I would remember that day forever. My buddy stayed over and he was making breakfast. We had had a hard night of drinking and I felt like I was hit by A truck. I was drinking a red bull to wake up and smoking a bowl and my brother called, and told me that he wrecked his car and that he was in LA and that he was in jail for a DUI, wreckless driving, driving while suspended and possesion of weed. He said if I came there and bailed him out he would pay me back and give me 5 grand. He said he needed 15 grand and LA was a long way away. I told him sure and I would be there as quick as I could. I went to the bank and I got some money to get gas and have some money for the road. I had to stop selling drugs soon I knew and I was going to quite in the end of the summer and I was going to move into my brothers apartment back in the city. I checked my bank statement and it read 54 thousand dollars. I never thought of myself as a dealer until then. In 2 and a half years I put 54k in the bank, bought a cool car and a bunch of bad ass stuff. I could not tell you how much I made all together. I never would have made it all without my brother, or if it wasen't for the town I lived in. On the way to get my brother my phone rang, it was Kendal's mom and she was crying. I asked what was wrong thinking that she probebly didn't come home or they had a fight. And all I heard her say was 'I found Kendal in her room with a needle in her arm and she is gone. ' I didn't believe it, It was my fault, I got her to do coke, I turned my back on her, I let her die. All the stuff I thought about not worrying went out the window. I pulled over and I cryed, I cryed for my mom and Dad, for the lives I helped ruin, for the only girl I ever loved and for me. I remeber when I first saw her and how I thought she was beautiful and how when she died she wasen't beautiful, how she went out like a junkie. I picked up my brother and took him home. I went home and sold drugs through the summer, Just weed and E though. After Kendal's death alot of people stopped using white drugs and the whole town seemed to have a more friendly sense. About a week before I was to move my best friend, the one that never tweaked and always had my back drove drunk and at about 4am he fell asleep at the wheel or passed out and drove into a telephone pole, he was killed instantly. He told me once joking around that at his funeral to put a bong in his coffin, I coulden't sneek one in so I loaded a pipe and put it in. In 2 and a half years I lost 2 friends to bad desisions, I made plenty myself but made it out physically okay. This is not a story that is anti drug, I still smoke pot, drink and take pills. I just wanted to let people know the risks of drugs and how even if you say you might just be hurting yourself your not because the people who care about you the most sometimes end up getting hurt the most. Exp Year: 2002 ExpID: 16695 Gender: Male Age at time of experience: Not Given Published: Jan 13, 2008 Views: 47, 455 [ View as PDF (for printing)] [ View as LaTeX (for geeks)] [ Switch Colors] Various (136), Cocaine (13), Cannabis (1), Alcohol (61): Families (41), Overdose (29), Relationships (44), Retrospective / Summary (11), Not Applicable (38) COPYRIGHTS: All reports are copyright Erowid and you agree not to download or analyze the report data without contacting Erowid Center and receiving permission first. Experience Reports are the writings and opinions of the individual authors who submit them. Some of the activities described are dangerous and/or illegal and none are recommended by Erowid Center.

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Rip legend... Run this town lucy hale. Run this town mv. When she kissed the glass i cracked up. The voice of rihanna brings too much memories, love the song. Great work. Run This town. Run this town by lucy hale. Run this town rihanna. Run this town trailer. IT'S ON SPOTIFY. H. B. Woodrose DOSE: 3 seeds oral (extract) Experiences (basis for report): (Substance=Number of Times Used/Dosage) MJ=10x, Ecstasy=100+x, Coke=10x8b, LSD=1x, Magic Mushrooms=2x, Speed=2x, Alcohol=Gallons! Setup: I have a pretty clean system right now � meaning I have only drunk the occasional beer over the last year. I have been itching to have an �experience� for a while now but don�t know anyone in the �loop� so I decided I would try something more available. After a few days of heavy research, I came to the conclusion that Hawaiian Baby Woodrose seeds offered the most EFFECT to EASE OF USE to EASE OF ACQUIREMENT ratio of anything out there. I bought a bunch and convinced my fianc� to try them with me � but we can never seem to get our timing right � so I made a trial run of 3 seeds that I have outlined in this report. Preparation: 1. Ordered online 2. I took what I refer to as the bark off of them, scraped all the hairs off of them, and quickly singed each side of them over a candle using tweezers, ensuring all hairs were gone 3. Put them in a plastic Ziploc bag and smashed them with a hammer 4. Emptied Ziploc bag into a water bottle with about 4oz of water in it and let sit for 30 minutes, shaking every 10 minutes or so 5. Gulped it all down � seed fragments and water Experience: I drank the water and seeds at 5pm and then did some chores to keep busy. I had eaten at about 2:30pm so I figured it would take at least an hour to hit - if it did at all from the low dose. The hour passed � felt nothing. At 6:15-6:30 I felt a little hungry and started to feel the slightest compression in my head � similar to a buzz coming on from alcohol � I did not eat. The compression gradually built over the next 30 minutes at which time I felt quite relaxed � reminiscent of taking a large mushroom dose (but to a lesser extent) and some mild cramping in my stomach � almost like the hard seed shells were having a difficult time passing though the stomach. At this point (Start Time(T) + 2 hours) I was lying on the couch watching an HBO sports show about why European basketball players are better then US players which seemed unusually interesting to me (not a basketball fan) � I would say more so the imagery then the words. At T+2:30 I forced myself up and made a quesadilla because I was REALLY hungry � my motor skills were reduced � touched the hot pan twice and didn�t care much (no blisters so I didn�t get burned). I lied back down on the couch and decided to find the cartoon channel. The search was very tedious � I just wanted to watch something. Once I found it, I ate the quesadilla which tasted good � but didn�t satisfy my hunger � and the cramping continued. The cartoon channel was fun to watch (did I mention I have a 61� TV that helps out a lot? ) � the colors were vibrant and seemed more three dimensional then normal and I contemplated how cartoon animators must be into hallucinogens � otherwise how else could they be driven to make cartoons? There was a Trix commercial with computer generated backgrounds that was really interesting to me and made me smile pretty big. This feeling is reminiscent of watching a video called �Beyond the Minds Eye� while on LSD (again, to a lesser degree) � for some reason, the smoothness of motion and perfection in color associated with computer generated animation really grabs my fascination. I tried two times to shut the TV off to see where my mind goes, but I was left wondering and pretty bored � mostly I would say it was impatience on my part. I turned the TV back on and watched cartoons some more � and then switched to the Star Wars EP II DVD which was also fun but I was starting to think about my fianc� coming home from work (T+4 Hours). Once she showed up, I had a very mild buzz going but could easily converse with her and she was none the wiser. I went to bed early (T+5. 5 hours) and slept better then I have in a week. I woke up and have been able to function today just fine � no hangover or motivation issues. Conclusion/Summary: The experience was like a mild LSD trip with some stomach cramping. Overall it was fun but I would like a more intense experience. Given the fact that I only took 3 seeds, I am encouraged by the taking of about 8. I think I will also try soaking the seed particles in water for 12 hours or so before hand and filtering out the seeds, drinking only the water. Hopefully this will get ride of the darn cramps! (don�t get me wrong, they were not unbearable � BUT I had a reduced dose (could get worse) and would simply prefer not to have them at all). If this gets published to the Erowid site, I will also publish my full dose experience. Exp Year: 2003 ExpID: 24778 Gender: Male Age at time of experience: Not Given Published: Mar 23, 2006 Views: 9, 861 [ View as PDF (for printing)] [ View as LaTeX (for geeks)] [ Switch Colors] H. Woodrose (26): First Times (2), Alone (16) COPYRIGHTS: All reports are copyright Erowid and you agree not to download or analyze the report data without contacting Erowid Center and receiving permission first. Experience Reports are the writings and opinions of the individual authors who submit them. Some of the activities described are dangerous and/or illegal and none are recommended by Erowid Center.

Run this town kobe bryant. Run This town website. Run this town jz. Run this town nina dobrev. Jose aldo. サムネの涼太殺しに来てる. Θ. 」 ∠. Run this town movie trailer. Run This townsend. Really fits the song :3. K <3. Run this town alabama. Run This town blog. Jay-Z, Kanye West, Rihanna  Buy This Song The easy, fast & fun way to learn how to sing: Feel it comin' in the air (yeah) And the screams from everywhere (yeah) I'm addicted to the thrill (I'm ready) It's a dangerous love affair (what's up?, C'mon) Can't be scared when it goes down Got a problem, tell me now (what's up? ) Only thing that's on my mind (Whats up) Is who's gonna run this town tonight (what's up? ) We gonna run this town We are, yeah I said it, we are, This is Roc Nation, pledge your allegiance Get ya'll black tees on, all black everything Black cards, black cars, all black everything And our girls are blackbirds, ridin' with they Dillingers I'd get more in depth, if you boys really real enough This is la familia, I'll explain later But for now let me get back to this paper, I'm a couple bands down And I'm tryin' to get back I gave the other grip, I lost a flip for five stacks Yeah I'm talkin' five comma's, six zeros, dot zeroes here it go, Back to runnin' circles 'round niggas, now we squared up, hold up Life's a game but it's not fair I break the rules so I don't care So I keep doin' my own thing Walkin' tall against the rain (what's up? ) Victory's within the mile, Almost there, don't give up now (what's up? ) Only thing that's on my mind Is who's gon' run this town tonight (what's up? ) Hey, hey, hey, hey, hey, heyy Hey, hey, hey, hey, hey Hey, hey, hey, hey, hey, heyy, (what's up? ) Is whos gon' run this town tonight? We are, yeah I said it we are, You can call me Caesar, in a dark Czar Please follow the leader, So Eric B. We are Microphone fiend, it's the return of the God, peace God (Ah! Ah! ) And ain't nobody fresher, I'm in Mason Martin Margiela, On the tape we're screamin' f*ck the other side, they jealous We got a banquet for the broads, they got a table for of fellas And they ain't spending no cake They should throw they hand in, 'Cause they ain't got no spades My whole team got dough So my banquette is looking like millionaires' row I break the rules so I don't care (what's up? ) Walkin' tall against the rain Victory's within the mile (what's up? ) Almost there, don't give up now Is who gon' run this town tonight (what's up? ) Hey, hey, hey, hey, hey (what's up? ) Hey, hey, hey, hey, hey, heyy, Is who's gon' run this town tonight? It's crazy how you can go from being Joe Blow To everybody on your dick, no homo I bought my whole family whips, no Volvo's Next time I'm in church, please no photos Police escorts, everybody passports This the life that everybody ask for This a fast life, we are on a crash course What you think I rap for, to push a fucking Rav-4? But I know that if I stay stun-ting All these girls only gonna want one thing I could spend my whole life good will hunting Only good gon' come is as good when I'm coming She got a ass that'll swallow up a g-string And up top, uh, two bee stings And I'm beasting, off the Riesling And my nigga just made it out the precinct We give a damn about the drama that you do bring I'm just trying to change the color on your mood ring Reebok, baby, you need to drop some new things Have you ever had shoes without shoe strings? What's that 'Ye? Baby, these heels Is that a may? What? Baby, these wheels You trippin' when you ain't sippin', have a refill You feelin' like you runnin', huh? Now you know how we feel, (what's up? ) Hey, hey, hey, hey, hey, hey Hey, hey, hey hey, (what's up? ) Hey, hey, hey hey, hey, hey, Hey hey, hey, hey, We gonna run this town tonight! What's up?! Watch: New Singing Lesson Videos Can Make Anyone A Great Singer Written by: Athanasios Alatas, Dion Wilson, Jeff Bhasker, Kanye West, Robyn Fenty, Shawn Carter Lyrics © BMG Rights Management, A. E. P. I., Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc. Lyrics Licensed & Provided by LyricFind.

About The Author: Montage Film Reviews
Biography: The focus of Montage Film Reviews is animation, world cinema, TV, vintage, and literature. Vintage is defined as anything prior to 1980.

 

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Actors: Damian Lewis director: Ricky Tollman Canada 8 / 10 story: An emerging political scandal in Toronto in 2013 seen through the eyes of young staffers at city hall and a local newspaper Ricky Tollman.

 

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; Directed by - Rose Glass; Scores - 246 votes; 2019; runtime - 1 Hours 24 minute; Movie Info - Follows a pious nurse who becomes dangerously obsessed with saving the soul of her dying patient. Saint maud tiff.

The witch Hereditary Both are already my favourite. Let's see how it goes😊. Saint maud newton. I think I ate one of her pubic hairs That pretty much sums up the weirdness in this movie. Best line of the entire film! 🤣. Saint maud trailer 2020. Saint maud reddit. Saint maudez. Saint maud wiki. Saint mandrier. Saint maud trailer 2019. Saint maud reaction. If thor and chris pratt made a baby, it would be this actor. I knew it has to do with Killing Eve when I heard the first song. Not a single person has a convincing South African accent. They should have gotten the accent coach from Blood Diamond.

Saint maud review. This movie was a mindfuck, I enjoyed watching it. Jewel furbys gotta be the icon of this movie. They shouldve called this movie bad decisions. A wholesome A24 release? Count me in. Saint mandrier sur mer. Y'all confused as of to what happened to your brain while watching this - In other words: you lost control. The movie made us feel the situation was out of control for the whole duration, by positioning us in the character's shoes. The movie literally drugged us (long live the liquify tool. It seemed as to everything just happened, and we had no power to react the way we wanted to. It was a rollercoaster ride, impossible to get off, destined to arrive at the destination it was meant to. Despite it not being nearly as scary as Hereditary, this movie mastered techniques to make the viewer feel the way they wanted to. I adore Ari Aster, seriously.

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Saint maud imdb. Will be the most scary movie but will be bad at rating. Saint maude reviews. Saint maud rose glass. Dir-Scr Rose Glass Prod Oliver Kassman, Andrea Cornwell With Morfydd Clark, Jennifer Ehle UK 2019 83min Prod Co Escape Plan Having recently found God, self-effacing young nurse Maud (Morfydd Clark) is untiring in her spiritual devotion. Landing a job as full-time private carer, she arrives at the plush home of Amanda (Jennifer Ehle), a hedonistic dancer left frail from a chronic illness. While they could not be more different – Amanda’s taste for the extravagant being the antithesis of Maud’s pious values – the mismatched pair are intrigued by each other, slowly building a brittle bond of co-dependency. But when a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye. As Amanda’s self-indulgent behaviour escalates, tensions between the couple steadily grow, leaving Maud convinced that she has been sent to serve a higher purpose. Rose Glass’ gothic-tinged psychological drama is a wickedly playful piece of work, by turns insidiously creepy, darkly humorous and heartbreakingly sad. The two leads crackle with palpable chemistry, with Jennifer Ehle’s beautifully nuanced performance proving the perfect complement to Morfydd Clark’s star-making turn as the unsaintly Maud. Consistently upending expectations, this thrilling one-of-a-kind is an almost religious experience. Michael Blyth Festival guests These members of the filmmaking team are expected to attend the festival: Rose Glass, director; Andrea Cornwell, producer; Oliver Kassman, producer; Morfydd Clark, cast. See the full list of visiting festival guests. Please note that we can't guarantee guest attendance at any particular screening. Additional information This is a 18+ screening.

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Coauthor: Ni nam lahko

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1H, 53 M

genres - Action

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D c5 bcentelmeni 2017. Dżentelmeni zwiastun. Dżentelmeni i wieśniacy online. Dżentelmeni i wieśniacy online za darmo. God bless Serbia! Greetings from Hellas 🇬🇷. D c5 bcentelmeni blue. Reviewed 1 week ago Vegetarian dish was so bad, I couldn´t eat it and that rarely happens. There is no music and it´s not a pleasant place. Date of visit: February 2020 Helpful? Reviewed 3 weeks ago A fantastic experience. The food was great and wholesome. A bit hard to find but ask one of the students you are bound to see hanging around! We made a special visit to come back here as the food, ambiance was great- oh eys, and... More Date of visit: February 2020 Helpful? Reviewed 4 weeks ago via mobile If you'd like to try some honest Polish food at extremely reasonable prices without any frills, then this is the place for you. Recommended to us by our Auschwitz guide, it does what it says on the tin. Find a table, check out the menu,... More Date of visit: January 2020 Helpful? Reviewed January 16, 2020 We have visited KOKO with friends only to find out that the food has been much overrated (everything we ordered had some quality issue: steak was smelly, chicken too dry etc. ). What's more, to our horror the restaurant has been hosting the far-right, nationalist meeting... More Date of visit: November 2019 Helpful? 3 Reviewed January 14, 2020 via mobile I REALLY didn't want the poncey, touristy main square in Krakow, so we found this little bolt hole. It was lovely inside, a really old cellar converted into a pub, loads of atmosphere and full of locals with a few tourists. Thing is though, you... More Date of visit: January 2020 Helpful? Reviewed January 6, 2020 via mobile This is a great place if you want the genuine Polish experience. Plenty of locals here which is always a good sign. Definitely add it to your must visit places in Kraków. Date of visit: November 2019 Helpful? Reviewed November 12, 2019 We loved this place, it's warm, noisy and has a great atmosphere. Lots of groups of students and friends eating together. The food was simple but very tasty and plentiful. They only take cash. Eat here if you like to be surrounded by locals and not feel... More Date of visit: November 2019 Helpful? Reviewed October 15, 2019 I ordered cucumber soup and the chicken roulades with spinach and feta cheese. Came with salad and a side. I opted for two salads-carrot and sauerkraut - instead of potatoes or rice. Cucumber soup was warm, lots of cucumber julienne and some rice, delicious. Entire... More Date of visit: October 2019 Helpful? Reviewed September 20, 2019 via mobile We enjoyed the pierogi here but the cabbage rolls (Golabki) were little disappointing as they were somewhat plain and tasteless. The restaurant, despite a clear Visa/MC sign on the door refused to take card payment. We were told we could pay cash in Polish currency... More Date of visit: September 2019 Helpful? Reviewed August 27, 2019 via mobile I had delicious assortment of pierogi (recommend Pierogi Ruskie) with rosół which was washed down with a refreshing beer (Perła). The food is tasty and well priced as it caters to the student cohort in Krakow, so I would recommend for a more authentic and... More Date of visit: August 2019 Helpful? View more reviews.

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See also: gospođa Contents 1 Polish 1. 1 Etymology 1. 2 Noun 1. 2. 1 Declension 2 Serbo-Croatian 2. 1 Pronunciation 2. 2 Noun 2. 1 Declension Polish [ edit] Etymology [ edit] From Proto-Slavic *gospoda. Noun [ edit] gospoda   f inn, diner Declension [ edit] declension of gospoda singular plural nominative gospoda gospody genitive gospód dative gospodzie gospodom accusative gospodę instrumental gospodą gospodami locative gospodach vocative gospodo Serbo-Croatian [ edit] Pronunciation [ edit] IPA ( key): /ɡospǒda/ Hyphenation: gos‧po‧da gospòda   m ( Cyrillic spelling госпо̀да) ( collective) gentlemen Declension of gospoda gospòda gospode gospodi gospodu gȍspodo For the singular sense, the word gospòdin is used.

 

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UK directed by: Reed Morano Duration: 1H, 49 Min Writer: Mark Burnell Rating: 1934 vote. Level 1 It seemed barely advertised at all, even the trailers that did come out did so to no fanfare. Shame for the Bond producers trying to get something new off the ground only to get this result, but I think most people didn’t know it even existed and the people who did would see it depending on reviews. They weren’t good, hence this weekend. level 2 I don’t remember seeing a single ad for this movie. The only reason that I even knew it was coming was because I saw it mentioned on Reddit. level 1 Maybe because it looks like a straight to DVD action movie made back in the mid 2000's when action movies relied way too much on shaky cam. Thie movie would have done fine 10 years ago, but in the age of John Wick, Mad Max, and Mission Impossible 4-6, audiences would much rather see highly flying stunts and clearly shot choreography than see brief glimpses of punches and kicks that we barely even get to make out due to shaky cam. level 1 On top of all the other comments, the title is awful. Does not at all convey what this movie is about. Without knowing more about it, I assumed it was some indie music flick. I feel like a lot of people heard the title and decided not to investigate further. Bad title, next to no marketing, no real hook. Of course this was bound to flop. Feels like an awards play gone wrong, and having to be dumped in January to dwindle out and die. level 2 I still don't know what the title is in reference to... Any ideas? level 1 Little to no marketing, bad reviews, movie didn't look good from the trailers, blake lively. level 2 Why Blake Lively? The Shallows did gangbuster and A Simple Favor was a hit level 1 Comment deleted by user 1 day ago ( More than 5 children) level 2 A Simple Favor did almost 100m, The Shallows did 119m, Age of Adaline did 65m on a budget of 25m was 10 seconds of research too much for you level 2 Err. What mate. The Shallows did gangbuster and A Simple Favor was a hit. Dont let your ignorance blind you level 2 DOnt think blake lively has do anything with it honestly. level 2 Are you serious? Her recent movies before this have been hits. The reason this movie flopped is certainly due to Paramount doing a shitty job (as almost always) in marketing their movies. level 1 The article mentions several reasons for what happened and any one of them sounds like a fast train to flop-ville. They had script issues and funding issues. It seems so obvious what not to do when you're sitting at home like me, lol. level 2 It seems so obvious what not to do when you're sitting at home like me, lol. Yeah, it's important to remember that. But still, when you see some of the choices they make it's hard to believe how anyone thought it was a good idea. level 1 Something I feel like isn't being talked about enough is the title for this movie SUCKS. Has nothing to do with the actual film and it describes nothing. level 1 Every year or two they put out a femme fatale movie and it never really sets the world on fire. Lucy, Salt, Atomic Blonde, Colombiana, etc. 😴 level 2 Lucy made $458, 863, 600 worldwide on a $40, 000, 000 budget- if that's not setting the world on fire, very, very few films do. level 2 I liked all those movies. ;) Better examples would be last year's Anna or Red Sparrow (2018). level 2 I thought Salt made a fair amount of money? level 1 Well, you can believe feminists like Elizabeth Banks who claim men don't watch female-led action movies, or, the more plausible reasons like poor to little marketing, bad reviews, or unknown IP. I happen to strongly believe movie titles have a strong influence on whether people will even take a look at a trailer much less watch a movie. "Rhythm Section" sounds like a fucking musical drama. Stupid, uninformative, witty movie titles don't fill theater seats. level 1 It was a rehash of a rehash of a rehash that not one asked for level 1 I consider myself a film buff, and I literally don't know what this movie is.

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The rhythm section movie release date. The rhythm section book summary. The rhythm section mark burnell. The rhythm section reaction. Director Reed Morano isn’t interested in delivering what we’ve seen before, or hitting the comfortable beats of what has come to define the espionage-action film. The Rhythm Section, written by Mark Burnell, who also penned the novel of the same name, had all the makings of a new spy franchise for Paramount and EON Productions, the producers behind the enduring Mission: Impossible and James Bond series, respectively. With three other books in the series, a modest production budget of $50 million, a stellar performance from Lively and a woman in the director’s chair, The Rhythm Section seemed like the perfect opportunity for those who have been making noise for the past several years about the next Bond being a woman and calling for new heroines unconnected to comic book IP. Yet the critical score for the film on Rotten Tomatoes sits at 32 percent, and it took in a dismal $2. 8 million over opening weekend. Neither the critical thrashing the film received nor the lack of box office support from audiences is deserved. But both are reminders that for as much as critics and audiences tend to want stories that are new and break the rules, they seem to reject the films that do so at a frequency that’s nothing short of alarming. We’ve come to expect the spy film to be sleek and sexy, populated with gadgets, physics-defying car chases, expertly choreographed combat, and as much sex appeal as can be squeezed into a PG-13 movie. The genre has typically been male dominated, and even the female-led films La Femme Nikita (1990), The Long Kiss Goodnight (1996), Salt (2010) and Atomic Blonde (2017) are often only validated by how much they share with James Bond, Ethan Hunt, Jason Bourne and John Wick. One of the most prevalent criticisms about The Rhythm Section is its pacing, which, quite deliberately, follows its own rhythm. For as often as Hollywood espionage films are dominated by fast-paced sequences that make long run times forgiving with carefully structured action and set pieces, the genre is just as defined by ex-MI6 agent and  The Night Manager author John le Carre and his psychological and morally ambiguous protagonists as it is by the bombastic wish fulfillment of Ian Fleming's 007. The Rhythm Section is far more interested in Stephanie’s internal and moral struggles than it is in positioning her as a one of a kind badass. Familiar elements of the espionage movie are introduced in the film and then turned on their head. Stephanie’s training gives her just enough to get by, and her fighting skills are unrefined and ugly. Her arsenal is simple, with gadgets consisting of nothing fancier than an inhaler with a disorienting gas and a knife disguised as a hairbrush, neither of which get proper use. Her sex appeal is used as a means of transaction, no sexier than that of her former life as a prostitute. And the film’s car chase is one of collateral damage, close calls, and not a single smooth turn in sight. Even Stephanie’s missions are largely botched incidents she barely makes it out of alive. There’s nothing sleek or sexy about the spy game in The Rhythm Section;  every aspect of Stephanie’s mission goes to show just how grueling and brutal this occupation is. While the moral complexities, pacing and R rating put Morano’s film in conversation with another unfairly dismissed spy film, Red Sparrow (2018), Stephanie’s mission and skill set is even further stripped of glamour than the world of that film. The Rhythm Section is the Blue Ruin of espionage films. Jeremy Saulnier’s film scraped the revenge film down its bones, offering insight into just how hard getting vengeance is, and just how much effort, time and ugliness it takes to kill a man. The Rhythm Section, in its deconstruction of the spy film, exists in a similar head space, one that doesn’t promise glory, satisfaction or heroism, only hurt. Producer Barbra Broccoli, along with her brother Michael G. Wilson, has been associated with the Bond franchise all her life. Her father, Albert R. “Cubby” Broccoli, was the man responsible for bringing Bond to the screen with Dr. No (1962). This is all to say that she knows the character better than anyone, and the spy genre is in her blood. When asked about the possibility of a female Bond in October 2018, Broccoli said, “He’s a male character. He was written as a male, and I think he’ll probably stay as a male. And that’s fine. We don’t have to turn male characters into women. Let’s just create more female characters and make the story fit those female characters. ” These comments, naturally, sparked some debate, but most agreed with Broccoli’s sentiments. Yet here we are, a little over a year later, and we have our female spy character, produced by Broccoli and Wilson in a film that doesn’t position the character as a Bond knock-off, but one with her own agency and unique window into the world of M16, and it seems few care. The problem with The Rhythm Section isn’t quality, and despite reviews that seem all too eager to dismiss what’s at hand, plenty of films have overcome the tomato splats to become box office success stories. While the film beats to its own drum, it’s plagued by the same issue that plagued The Long Kiss Goodnight, Salt, Atomic Blonde, and Red Sparrow and suffocated their franchise potential. None of these characters are based on popular IP or can be evaluated in the context of a beloved franchise. There’s little doubt that Black Widow will be a success in May, given that it has Marvel Cinematic Universe behind it and thus the investment of critics and audiences. And if Bond were to be a woman in the future, there’s little doubt that despite the raging from social media that would happen beforehand, people would see it. It’s even worth a wager that if Moneypenny (Naomie Harris) or Nomi ( Lashana Lynch) received spin-offs following No Time to Die, they would fare much better than The Rhythm Section. Inevitably, when the year reaches its end and discussions about a Black Widow sequel emerge, with the usual suspects complaining about a lack of new IP, and when the search for a new Bond begins, and the think pieces start suggesting the best actresses for the role, and when Hollywood doesn’t see a reason to greenlight theatrical mid-budget action movies with women that aren’t based on comic characters, think back on The Rhythm Section, think back on Red Sparrow, and think back on Atomic Blonde. We see the same lack of enthusiasm for new characters and new perspectives every year, despite the noise that suggests otherwise, and we’ll likely see it again and find ourselves having this same discussion. The Rhythm Section was left in the cold, and still, the beat goes on.

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I just saw it. It's not very good, but there's a handful of scenes I really liked. The middle section where she's training with Jude Law is by far the best part; the plot-heavy first and third acts don't work at all. You can tell it's been cut down from a much denser novel; there's moments where characters will suddenly just know something because the plot requires them to at that point, and it's never really clear why anyone needs Blake Lively's character at all. She's a terrible choice for this spy/revenge mission. Also, for a movie with a female director and lead, it's odd that there are more dead female characters (Blake Lively's mother, Jude Law's wife, Jude Law's old partner, a bad guy's kid daughter) in the movie than live ones (Blake Lively, the mother of a murdered guy, a suicide bomber).

The rhythm section rating. The rhythm section (2020) trailer. | Christy Lemire January 31, 2020 Blake Lively gives it her all in “The Rhythm Section, ” but the movie only meets her halfway. The glamorous star gets grungy for the role of Stephanie Patrick, an ordinary young woman who transforms herself into an international assassin to avenge the killing of her family. Lively previously has shown a yearning not only for this kind of darker material, as in her standout supporting role in Ben Affleck ’s “ The Town, ” but also for the physical demands of an action film, as she did so convincingly while fighting off a great white shark in the minimalist thriller “ The Shallows. ” Advertisement She’s deeply committed and down for everything “The Rhythm Section” throws her way, often quite literally. But despite some impressively inventive camerawork from cinematographer-turned-director Reed Morano (“The Handmaid’s Tale, ” “I Think We’re Alone Now”) and a couple of intense action sequences, the film as a whole feels rushed and frustratingly empty. Although writer Mark Burnell adapted the screenplay from his 1999 novel of the same name, the story seems truncated; it’s as if he understandably wanted to include as much as possible from his source material, yet still had to work within the constraints of a reasonable running time. Giant leaps take place in terms of time and emotion, leaving us behind in confusion and rendering the human connections hollow and baffling. Lively’s British accent is a bit spotty but she makes a strong impression from the start, when her character is at her lowest. It’s been three years since Stephanie’s father, mother, sister and brother died in a plane crash—a flight she was meant to take, as well. Now, she numbs the unimaginable pain with drugs and feeds her habit by working as a prostitute at a London brothel. Morano intercuts increasingly tight close-ups of Stephanie’s face—her shaggy hair, tear-stained cheeks and swollen eyes—with snippets of brightly lit flashbacks to happier times with her family, underscoring the shocking nature of her decay. When an investigative journalist (Raza Jeffrey) tracks her down and tells her the crash was no accident but rather an act of terrorism, it lights a fire under Stephanie to take back her life by taking out the killer. “The Rhythm Section” comes from James Bond producers Michael G. Wilson and Barbara Broccoli, and it features the kind of globetrotting, espionage and tangles with an international array of bad guys you’d expect from a 007 movie. Stephanie travels from London to Northern Scotland, Madrid, New York, Tangiers and Marseille in her pursuit of justice with a variety of wigs and identities at her disposal. But the film is trying to do something different in making Stephanie’s stumbles a central part of her character. She’s not slick, she’s frequently in over her head and her missions don’t always go as planned. In fact, they never do. Lively’s vulnerability is as compelling as her raw combat skills, and Morano’s female gaze is clear-eyed rather than ogling. But somewhere along the way, Stephanie becomes too enigmatic, despite the fact that she’s on screen nearly the entire time. We know very little about who she was before the tragedy, which was by design, but even a smidgen more backstory would have made the dangerous path she forges somewhat more plausible. When the exiled MI6 agent who’d been the journalist’s informant takes her in and trains her, it makes sense, although Jude Law is solid as the gruff character known only as B. Eventually, there’s a passing reference in the script to the fact that she’s spent months with this guy at his remote hideout at the edge of a Scottish loch, yet there’s little indication that they’ve formed the kind of emotional connection that would result from that kind of intense, intimate time together. And yet a pivotal fight training scene in B’s cramped kitchen—shot in a single take—is riveting because it’s so flailing and imperfect, and because there’s nowhere to hide. Lively’s demeanor has morphed from that of a wounded animal to a scrappy predator. Later, Morano’s claustrophobic depiction of a car chase through the narrow streets of Tangiers, with cinematographer Sean Bobbitt (“ 12 Years a Slave ”) inside the vehicle, also provides a visceral jolt. Stephanie also meets up in Madrid with Sterling K. Brown ’s character, a former CIA officer who now sells the intel he gleans to the highest bidder. He’s a crucial figure in her quest, but their relationship develops in ways that are both entirely unbelievable and narratively predictable. As charismatic as Lively and Brown are individually, they aren’t afforded the opportunity to establish any real chemistry with each other. And an interlude with an arrogant and wealthy bad guy ( Max Casella) who also played a key role in the airplane attack raises way more questions than it answers. That scene is a prime example of the film’s clangy tendency toward on-the-nose needle drops to comment on the action and set the mood. As Stephanie struts down Central Park West in a disguise, stalking her prey, we hear the ironic strains of the Brenda Lee classic “I’m Sorry”; later, as Stephanie closes in on her ultimate target, Elvis Presley ’s “It’s Now or Never” plays. The title itself refers to a technique B teaches Stephanie to help her calm down and regain control during moments of panic: “Your heart is the drums, your breathing is the bass, ” he says. “The Rhythm Section” itself could have used a little bit of soul. Reveal Comments comments powered by.

 

 

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Release Year - 2019

Writer - Nathaniel Rich

user rating - 8,1 of 10

Resume - Dark Waters is a movie starring Anne Hathaway, Mark Ruffalo, and Tim Robbins. A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution

Director - Todd Haynes

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